Tuesday, 24 March 2026
Solar HQ

Content-less Content Creators

BY DINESH CHANDRASENA August 29, 2025
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  • This topic is such a murky, mercurial, maligned area that I will be opining in two parts! We live in times when the irrelevant gain instant relevance simply by accessing social media platforms and spewing their “expertise” on every possible topic. Could it be that the days of having a “career” or a “specialized area of knowledge” are as redundant as the manual typewriter? Has credibility, once rooted in sourcing the right knowledge and utilizing it, gone the way of the analog cockpit display? Oh, woe unto us all! The keyboard Kaisers are today’s “wannabe dictators,” armed with minuscule intelligence and massive egos. As we all know, true confidence never requires tearing others down. Yet these “Dire Divas” thrive by mistaking cruelty for grandeur, when in reality, the phrase “delusions of grandeur” applies perfectly. Let us delve into this layered and laughable phenomenon, people who live (and refuse to let live) under the delusion that their own “fame” (or more often, infamy) gives them the right to pontificate on everything from food to fashion, architecture to artisanship, and everything in between. I will begin with an arena in which I have genuine experience: over 30 years in the fashion industry.


    Creating aspirational, inspirational, and sometimes irreplaceable garments is considered the essence of fashion. We look to the great shows, the défilés of Paris, Milan, London, and marvel at the blend of creativity, craft, and hard-earned expertise. These designers conjure magic, weaving dreams that many of us didn’t even know we could dream. They are the engines of an industry powered by many compartments: athleisure, sportswear, swimwear, children’s wear, weather-wear, lingerie, loungewear, and more. Each contributes to a flourishing, multi-billion-dollar global enterprise.
    Enter the “content creators,” whose understanding of this vast industry is as shallow as a millpond. Sitting “pretty” at a fashion show, preened, polished, and filtered, does not make one’s opinions valuable. Yes, you may prefer minis to maxis, or declare (via Instagram) that mocha is the new mauve, but what is your knowledge based on? Do you understand the backstory, the inspiration, the codes and keywords behind a collection? Did you ask if distressed seams or distorted proportions held creative meaning? Did you wonder whether the colour palette or accessories conveyed subtle geo-political messages? No. Because for these vapid vamps, “creating content” boils down to whether the models were pretty, the makeup “on point,” or whether the bags and shoes can be borrowed for their next meaningless event.
    They cannot distinguish a crinoline from a can-can, a Juliet sleeve from a cape sleeve, a saddle pocket from a safari pocket, or even a sequin from a paillette. Yet somehow, they have “strong” opinions about fashion! Another arena where “content catastrophes” thrive is hospitality. Offer them a free meal and a splash of sub-standard alcohol, and they will pirouette, prance, and praise! Once upon a time, establishments relied on advertising, word of mouth, and reputations for excellence. Today, many settle for inviting a “painted parasite” dressed as a lady of the night, or perhaps a bedazzled belly dancer, to gush about their venue. With body parts spilling onto platters and makeup dripping into cocktails, these caricatures can’t even pronounce the dishes. “Frawns” anyone? Or should we stick with prawns? “Piza”? Or the actual Italian, pizza?
    The desperation is palpable. These self-proclaimed connoisseurs are little more than modern-day “winos” - like the wine-chugging day drinkers’ of 70s sitcoms. Offer them backyard moonshine (a.k.a. kassipu) and they’ll not only show up, but dare to critique the “beverages,” even though they’d drink surgical spirits if that was all that was on offer! And so, it continues: plagiarists parroting others’ words, “writers” who cannot write, “readers” who cannot read yet presume to review books. That, however, is a story for my next segment. For now, let me leave you with this: be yourself, and just be. I give this advice freely, and I live by it myself. Authenticity is key. Words carry immense weight; they can bring joy or despair. Use them wisely, and create content with the same ethos.

    Dinesh Chandrasena

    Dinesh Chandrasena International fashion designer and creative director Dinesh Chandrasena obtained a degree in fashion Design from the Fashion Institute of Design & Merchandising (FIDM) in Los Angeles in 1996, secured a 6-month internship at Mega-brand Calvin Klein in New York and upon Her return to Los Angeles took over as Principle Designer for the evening wear design house Claire's Collection. This afforded Her the opportunity to design for a core of celebrity clientele, in a tenure that spanned 17 years, including Oscar Winner Halle Berry (for whom Dinesh designed numerous gowns including Her wedding gown), the wardrobe of Oscar Winner Sandra Bullock, and supporting cast of actresses for the film "Miss Congeniality", the gowns for Oscar winner Dame Julie Andrews for “The Princess diaries” along with Miss USA 2007, Miss America 2008 & Miss Universe 2008. She has also designed for actresses Jacqueline Fernandez and Sonakshi Sinha, (whom Dinesh brought to Sri Lanka for the cover shoot of L'Officiel India magazine). Recently She also showcased “Luxury resort swimwear” and a sustainability driven collection at CFW under the “Wraith” label. Dinesh creative directed Miss Intercontinental International 2016, Miss France 2013, Miss China 2014, and Miss India 2014 in collaboration with Cinnamon Hotels and resorts, also for whom She creative styled the 2015 re-branding shoots. Beyond the basic industry perimeters, Dinesh has also spearheaded the Parisian based “Georges Hobeika” brand launch to the Asian region in 2010, which was featured on CNN, and oversaw the designing of Color schemes/Uniforms for Srilankan airlines during the Emirates Airlines management tenure. She is on an advisory capacity at Her Alma Mater FIDM in Los Angeles (for the advanced study program), served as the Academic lead and fashion design Program Coordinator at Raffles design institute (with 23 Campuses in the Asia/Pacific region), and on a cross university capacity judges the final fashion and textile design Collections at the University of Moratuwa. Dinesh also functions as a director at Doubledee publications, and has conducted Design/product development workshops for garment manufacturing conglomerates MAS and Brandix. She is also a board member of Lanka SaluSala and is working on their expansion plans and design development for global markets. Currently She is the Academic Director and head of fashion design at the College of Fashion and Design (CFD) a premier international design education provider, with programs from Milan and London. Read More

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