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Postcards from the Runway How Global Craft is Shaping Resort-wear 2025

Gabriela Hearst Calypso Pinstripe Knit Midi Dress Burnt Sienna Merino Wool

A revival of roots, a celebration of artisanship, and a new narrative in luxury. As resort-wear collections float down the runways this season, a quiet revolution is unfolding in the details. Embroidery that echoes centuries-old techniques. Fabrics that tell the story of generations. And silhouettes infused not just with style, but with soul. Welcome to resort-wear reimagined, where global craft isn’t just inspiration, it’s collaboration. In 2025, fashion’s holiday wardrobe is being shaped not only by what looks good by the beach, but by what holds cultural meaning. Designers are partnering with artisans from Thailand to India, Morocco to Mexico, weaving heritage into high fashion, and in doing so, redefining what luxury looks and feels like.

From Souvenir to Statement

Once, the idea of ‘global’ in fashion meant vague references to ‘ethnic prints’ or a Bali bag picked up en route to a yacht in Ibiza. But the new wave of resort-wear is worlds apart, rooted in respect, rich with story, and consciously crafted.
 
Take Gabriela Hearst, whose latest resort collection was created in collaboration with female artisans in Uruguay and Bolivia, blending natural fibres with ancestral weaving techniques. Or Zimmermann, who incorporated Indian woodblock printing into floaty kaftans and wrap dresses, developed with hand-printers in Rajasthan.
 
Even heritage houses like Chanel have leaned into craftsmanship this season, unveiling caftans embroidered in Métiers d’art ateliers, but influenced by North African geometry and Bedouin traditions.
 
These aren’t decorative afterthoughts. They’re the DNA of the design.
 

A New Kind of Jet Set

Today’s luxury consumer is no longer only buying aesthetics, she’s buying alignment. With values, with heritage, with consciousness. She wants to know who made her clothes, how they were made, and why they matter.
 
That shift is evident in the success of independent brands like DÔEN, Folklore, and Etéreo Studio, all of whom partner with indigenous artisans and promote radical transparency. Their resort-wear isn’t churned out of factories - it’s slow, deliberate, and meaningful. Think handwoven Thai cotton sarongs, natural-dyed kaftans, and shells strung together by local craftswomen.
 
It’s less about location, more about intention. Less about resort-as-status, and more about belonging- to the land, to legacy, to community.

Why It Matters Now

In an era of climate anxiety, cultural appropriation conversations, and overproduction fatigue, global craft offers a quiet antidote. It brings back human hands into an industry overrun by algorithms. It reminds us that beauty can be ethical. And that luxury, at its best, is personal, not just expensive.
 
Moreover, this movement offers a platform for artisans whose work has long been undervalued or exploited. Designers who get it right don’t just borrow, they co-create. They credit, they pay fairly, and they celebrate the origin within the design, not just around it.
 
As fashion becomes more global, it must also become more just. And resort-wear, once the most frivolous of categories, is leading the charge in meaning-making.

How to Embrace Globally Crafted Style

  1. Research Before You Buy: Support brands that are transparent about their artisan partnerships, sourcing methods, and give credit where it’s due.
  2. Wear Stories, Not Trends: Choose pieces that carry a cultural narrative, hand-loomed fabrics, hand-block prints, beadwork with tribal significance.
  3. Mix Tradition with Modernity: Pair a Thai silk wrap skirt with a crisp white shirt, or wear Rajasthani mirrorwork with minimalist sandals.
  4. Travel with Taste: If you are shopping abroad, avoid fast-tourist fashion. Visit craft collectives, fair trade boutiques, and speak to local makers.
  5. Invest in Slow: Globally crafted fashion is not fast- it is meant to last. These are heirloom pieces, not just holiday snaps.
In a world of mass production, fashion’s pivot toward craft is a form of rebellion, and reverence. Resort-wear 2025 is no longer about escapism, it is about connection. To the maker. To the story. To the soul of style.
 
These aren’t just clothes. They’re postcards from places, and people, worth remembering.
 
Zimmerman Ottie Kaftan Dress
 
 
 
 
 

 

Katen Doe

Anjna Kaur

Anjna Kaur is a prominent fashion columnist for Sri Lanka’s Daily Mirror, where her column, “The Fashion Room by Anjna Kaur,” offers readers insightful commentary on contemporary fashion trends and personal style. Her articles cover a diverse range of topics, from seasonal fashion trends to the influence of social media on fashion, providing readers with a comprehensive view of the evolving fashion landscape. Anjna is a post-graduate student at Condé Nast College of Fashion & Design (UK).

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